by Kate Peridot | Jun 3, 2023 | Agent and Publisher Advice, Children's non-fiction, Picture Book Knowhow, Writing Theory
In part 3 we’ll take a look at: Comps (why you really REALLY need to know your market) Alternative book title ideas (and why you need them) Sequels (why not sell them!) About the author (remember to sell yourself too!) Comparisons and the Competition (or comps... 
by Kate Peridot | Mar 24, 2023 | Children's Fiction, Children's non-fiction, Picture Book Knowhow, Writing Theory
Welcome back to PART 2 in my series, How to Write a Successful Children’s Book Proposal. In my last post I talked about, the pitch, target age, book format and word count, and the most important section of all, Why this Book Now. In this post we are going to... 
by Kate Peridot | Feb 23, 2023 | Agent and Publisher Advice, Children's Fiction, Children's non-fiction, Picture Book Knowhow
I write illustrated children’s non-fiction and fiction. I’ve sold 10 books over the last two years using this book proposal structure. My commissions range from 32-page picture books to 98-page illustrated fact books. Writing a concise, well-considered, market-focused... 
by Kate Peridot | Jan 26, 2023 | Children's non-fiction
It’s getting super creative, that’s what! Once upon a time, there were big heavy non-fiction books (probably called an encyclopaedia) that had some great facts, but these books were also used as a prop for a racetrack, a counterweight for the roof of a den, a throne... 
by Kate Peridot | Jan 7, 2023 | Children's Fiction, Children's non-fiction
Dear Readers, I haven’t been blogging much for the last eighteen months because a lot has been going on. I have written six children’s non-fiction books for six UK publishers back to back. Phew. My first book is launching in April 2023 with Walker books, closely... 
by Kate Peridot | Jan 3, 2022 | Agent and Publisher Advice, Children's Fiction, Children's non-fiction, Picture Book Knowhow, Writing Theory
What is a twitter pitch party? Several pitch parties take place during the year. Authors are invited to pitch the concept of their book to agents and editors in just 280 characters (the max size of a tweet). Agents and editors are primed by the organisers to browse...