Ahoy! SCBWI conference low-down

 

My second conference with amazing SCBWI BI…

Started with some wise words from Natascha Biebow about evoking empathy not sympathy in our writing, and the importance of being in touch with our inner child.

(The amount of piratey costumes at the launch party suggests the inner child part isn’t a problem for most SCBWIs.)

IMG_1911

Me with the fearsome Sally Rowe

And continued amusingly, with Sarah Mcintyre and Philip Reeve dressed up, as I’m not sure what, to talk about creating their three illustrated books for young readers, which sold out on the book stand in 30 seconds  afterwards.

IMG_1895

The unforgettable Sarah Mcintyre and Philip Reeve

I did manage to nab an Oliver and the Seawigs. Thank you for adding the extra sea monkey, Sarah.

IMG_1897

 

Then on to a Picture Book/Illustrated Fiction Industry Panel with publishers Hodder, Faber and Faber, Otter Barry Books, and agent Felicity Trew (Carolyn Sheldon.) They all stressed how important it is for picture books to appeal to supermarkets (promo slots) as well as international markets, otherwise they don’t make money. A good title is important for Internet sales and a series concept is more likely to attract publishers (particularly for illustrated young readers).

After lunch, the amazing Jonny Duddle, Pirate Cruncher extraordinaire took to the stage and demonstrated that sometimes life takes you in unplanned and unusual directions. But it’s all rather useful material for future books. Though, he did seem to be destined to be a pirate from the very beginning.

IMG_1898

Jonny worked on a real pirate ship for a year  – yes, that one there.

BTW you can learn pirate talk from handy websites like this one: http://the-pirate-ship.com/piratedictionary.html

Jonny thinks up stories and rhymes while out running/cycling in the welsh hills. I wonder if the Chilterns have the same magic air.

It was lovely to meet the SCBWI’s who have launched their books this year at the Mass Book Launch Party. Thank you for all those signed copies! My children feel very spoiled.

IMG_1907

Go SCBWIs!

On Sunday morning, publisher David Fickling got us all up and dancing to Pulp Fiction, and then he shouted money money money. Yes please, David, that would be a nice change.

Agents Julia Churchill (A.M Heath) and Penny Holroyde (Holroyde Cartey) gave a great session on everything an agent does (which is a lot more than I appreciated). Penny also shared a page of her golden notebook – subjects/genres publishers are short of at the moment. Yes, gold dust indeed. My lips are sealed. Book SCBWI events to find out about these tips!

Somewhere in the middle of all that, I had a one to one with an editor from Frances Lincoln and a crit session on a picture book that won’t behave, but now might, thanks to my critiquers insightful comments.

Lots of contacts, lots to follow up on and writing enthusiasm at warp speed 10.

Thank you SCBWI-BI Team.

Children’s picture book publishers accepting unsolicited manuscripts

Big picture book publishing houses don’t accept unsolicited submissions but many of the smaller independent ones do. If you want to publish without getting an agent, see the list below.

Note – all these publishers have websites and it is a very good idea to look closely at their catalogue and read their books, as they often focus on one area of the market, e.g. board books, novelty books, colouring books, educational, series, younger children, etc… and there is often a very clear house style. Submission guidelines and word count vary a lot, so check out their guidelines or ask for them and tailor each submission accordingly.

Most of these publishers also publish young readers, middle grade, teen and non-fiction

Anderson Press

Maverick Books (currently they are overwhelmed and have closed their doors but will probably be open to submissions again at some point)

Nosy Crow (traditional publishing and digital)

Firefly Books

Templar books

Hinkler Books

Francis Lincoln books

Oxford Uni Press

Walker Books (if you look closely at their submissions page they don’t accept unsolicited manuscripts for any other age group, but they do from picture book illustrators and writers, but don’t expect a reply unless an editor absolutely loves it! The slush pile mountain is legendary!)

Sweet Cherry Publishing (series reads only)

Newish publishers to look out for:

Fourth Wall Publishing

Flying Eye Books

Old Barn Books

Barefoot Books (not sure how open to new writers/illustrators they are but checkout their interactive studio in Oxford!)

Made in Me (digital books)

Ginger books

You can circumvent the ‘no unsolicited manuscripts rule’ with the big publishers by talking to them at writing conferences or any other author/publisher/agent events they might attend. Also look out for competitions, they are often sponsored/judged by an editor from a publishing house that would otherwise be closed to new writers. At the SCBWI conference, I handed a Little Tiger Press editor two stories after she facilitated a picture book writing session and she was kind enough to give me some very good feedback within two weeks! My stories would have been ignored otherwise.

If you get feedback, it is like gold dust, no matter what it says. Thank editors profusely for their time.

Good luck.

Is the London Book Fair a worthwhile visit for budding authors?

My morning at Olympia started at 9:45 at Authors HQ, listening to Rebecca Swift from the Literary Consultancy, chairing a discussion with agents, Juliet Mushens, The Agency Group, and Iain Millar, co-found of Canelo Digital Publishing, on how they find new talent.

Some of their advice I have heard before but it’s never a bad thing to be reminded of the high standards expected of manuscripts.

Juliet said: “Succinctly summarise what your novel is about in your covering letter. Tell us why your story is going to be attractive to publishers and readers. It’s amazing how many authors don’t do this.”

Iain said: “A lot of manuscripts are rejected because they start too early and don’t establish character, setting and conflict in the opening chapters skilfully.”

Juliet advised: “Send your first three chapters to 5-10 agents. If they ask for the full manuscript this does not mean they want to represent you and not all agents respond with comments, alas.” Though Juliet said she does send feedback if she reads a full manuscript.

Agents and publisher, Juliet Mushens and Iain Millar answering questions.

Agents and publisher, Juliet Mushens and Iain Millar, answering questions.

I then headed over to the Children’s Hub to listen to Laura Wood, winner of the Montegrappa Scholastic Prize for New children’s writing, and her publisher Samantha Selby-Smith and agent Louise Lamont from LBA. Laura’s novel, Poppy Pym and the Pharaoh’s Curse, is to be released in October. I was lucky enough to be given a free proof copy.

I chuckled when Laura confessed she had only written the first five thousand words required to enter the first stage of the competition. When she was shortlisted, Scholastic asked if she had the full manuscript (which was expected!), she said yes, and then wrote her novel in three weeks. “It was the most stressful three weeks of my life. I wouldn’t recommend lying to your publisher,” she joked.

Laura Wood signing, Poppy Pym and the Pharaohs Curse

Laura Wood signing, Poppy Pym and the Pharaoh’s Curse

I had time to look at all the publisher stands in the Children’s section before heading to the next talk. My objective was to: collect trade catalogues, handy for idea creation (and spotting what has already been done), publisher styles and market trends; and also to discover new or relatively new publishers, who are expanding their lists and accept unsolicited manuscripts. I found a few!

I located the Pen Literary Salon just in time to hear Anthony Browne talk about his long career illustrating and writing picture books. He was my favourite speaker of the day – articulate, wise and creative.

He takes ideas from his childhood, from familiar objects, other artwork, toys and games. He twists and changes them into something else and plays with point of view.

"Picture books are like works of art, they can be poured over, paused over, thought about and revisited." Anthony Browne

“Picture books are like works of art, they can be poured over, paused over, thought about and revisited.” Anthony Browne

“There should be different layers in picture books. The child doesn’t have to know what everything is or what everything means. Conversations between children and adults are generated by the story and illustrations. Parents sometimes move children on to quickly from picture books, thinking they are for young children and therefore babyish.”

Anthony believes the picture book is for any age. “We live in a visual world of moving images, there is only a few seconds to appreciate an image before it is gone. Picture books in contrast are like works of art; they can be poured over, paused over, thought about and revisited.”

After lunch, I did a quick reccy of the larger publishers stands, which sprawl across the grand hall, collecting more trade catalogues. I also checked out the self-publishing stands. There’s a lot of info available and at least one talk a day.

Olympia's Grand Hall.

Olympia’s Grand Hall

Then I headed back to Author HQ to hear some very brave authors pitch their books live to a panel of agents and publishers. They had one minute to introduce themselves and two minutes to pitch their book before being critiqued. The panel had pre-read one chapter.

It was interesting to watch people’s style, hear about their background and watch mistakes. The biggest takeout from the panel was a warning about marketability. “Where does your book fit,” they kept asking, a couple of authors received the more depressing news, “I like the writing but I can’t sell it.”

This it at odds with the advice often given, “right what you love” – the caveat clearly is, as long as it is marketable.

There is definitely a lot more going on for authors this year at LBF. I’ve got a stack of information about the market and a few publishing leads.

Yes, indeed, it’s definitely worth the ticket.

(SCBWI members are eligible for a half price flexi ticket)